One of the best thing about Bergman's movies, I think, or at least what gives some of the best films he made in the mid-60's (Persona, Hour of the Wolf, Shame, Passion of Anna) their emotional impact is the music that Lars Johan Werle composed for them: hard serialist percussion and electronics swarming like gigantic wasps. This came to mind after reading this - Bergman's son-in-law reminiscing. The first paragraph brought a tear to my eye:
For those who lived close to him, Ingmar Bergman's passing last week was no great surprise. He had just turned 89; he was a very old man. His tired heart stopped beating in the early hours of the morning, in this rainy summer season, at his home on the Swedish island of Faro. The rabbits that used to sit motionless on the beach and listen to him playing Mahler will now wonder where the old man has gone. But he is gone. The hourglass has run empty.
I was planning on linking to every news report and obit on Bergman and Antonioni that I could find, but there were too many. So why don't you find out for yourselves. :)